wifimixer

Updated

HOW RECEIVERS TUNE

Tuning is
mixing.

Your radio makes a signal of its own.

Inside most receivers, a mixer combines the incoming station with a signal from a local oscillator. Out comes one fixed, lower frequency that is easy to amplify and filter. Turning the dial just moves the oscillator.

A − B the difference wins

Tune a station
A tall lattice radio transmitter mast silhouetted against a pale evening sky over open countryside
AI-generated image, not a photograph of a real person or place.
  • Mix with a local signal
  • Keep the difference
  • Amplify one fixed frequency
  • The superheterodyne idea

THE SHORT ANSWER

Shift the station,
then amplify it.

The trick is called heterodyning:
mixing two frequencies to make a new one.

MIXING

Two frequencies make a third

Mixing two frequencies produces their sum and their difference. Receivers usually keep the difference: the intermediate frequency.

Tune a station

ONE KNOB

Tune by moving the oscillator

Every station is shifted to the same intermediate frequency, so the filters and amplifiers stay fixed. The superheterodyne could be tuned with a single knob.

See the numbers

EVERYWHERE

Still the standard design

The superheterodyne is used for AM, FM and TV broadcasting, mobile and satellite systems, radar and GPS.

Where it came from

TUNE A STATION

Four frequencies,
one station.

A textbook example: an AM receiver tuned to a station at 850 kHz, with an intermediate frequency of 455 kHz. Pick a part to see its frequency. The bar shows how high it is.

Receiver check

Choose a part
The station you want850 kHz

The incoming radio signal picked up by the aerial and passed through the RF amplifier.

The local oscillator1,305 kHz

The receiver's own signal, set 455 kHz above the station. Turning the tuning knob moves this frequency.

The intermediate frequency455 kHz

The difference left after mixing. Every station ends up here, where the IF amplifier boosts it and rejects neighbours.

The image frequency1,760 kHz

A signal 455 kHz above the oscillator would also mix down to 455 kHz. The RF stage must filter it out before the mixer.

Source: S. Loyka, ELG3175 Lecture 9, Superheterodyne Receiver, University of Ottawa (2016).

Worked example from University of Ottawa lecture notes (ELG3175), after Couch, Digital and Analog Communication Systems.

TWO NUMBERS WORTH KNOWING

One fixed frequency,
a lot of gain.

One number on amplification,
one on a classic AM design.

up to 10⁶×

How much the IF stage can boost the signal

Because it always works at the same frequency, the IF amplifier can amplify the signal up to a million times and reject signals on neighbouring channels.

IF AMPLIFIER · UOTTAWA

455 kHz

Intermediate frequency in the textbook AM example

With a 455 kHz IF, a station at 850 kHz needs the oscillator at 1,305 kHz, and the unwanted image sits at 1,760 kHz.

AM RECEIVER · UOTTAWA

The first superheterodynes used much lower intermediate frequencies, between 30 and 90 kHz, because the valves of the day could not amplify higher frequencies well.

INSIDE THE RECEIVER

From aerial
to speaker.

The main stages of a superheterodyne receiver, in the order the signal passes through them.

  • RF amplifier

    Boosts the weak signal from the aerial and rejects the image frequency.

  • Mixer and local oscillator

    Shift the chosen station down to the intermediate frequency. The oscillator does the tuning.

  • IF amplifier

    Amplifies the fixed-frequency signal and filters out neighbouring stations.

  • Detector

    Recovers the sound, pictures or data. Automatic gain control keeps the level steady.

A hand turning the round tuning knob of an old wooden radio set beside its fabric speaker grille
AI-generated image, not a photograph of a real person or place.
The inside of an old radio set, with glowing glass valves and neat wiring on a metal chassis
AI-generated image, not a photograph of a real person or place.

WHO INVENTED IT

Several inventors,
one big idea.

Reginald Fessenden applied the heterodyne principle to wireless in 1901 and coined the word from the Greek for 'other' and 'force'. Lacking a good oscillator, he could not make it practical.

Lucien Lévy filed a French patent in 1917, Walter Schottky a German one in June 1918, and Edwin Armstrong a US application on 30 December 1918. Superheterodyne radios went on sale in the US in March 1924 and soon became the standard circuit.

Questions

Questions people ask

What does a mixer do in a radio?

Together with the local oscillator, it shifts the incoming radio signal to the intermediate frequency. Mixing two frequencies produces their sum and difference, and the difference is usually the useful part.

Why not just amplify the station directly?

Early valves amplified high frequencies poorly. Shifting signals to a lower, fixed frequency made strong amplification and sharp filtering practical, and the design could boost weak signals significantly.

What is image interference?

A second station on the other side of the oscillator, twice the IF away from the wanted one, also mixes down to the IF. In one example a receiver tuned to 800 kHz with a 45 kHz IF would also hear a station at 890 kHz.

Does the mixer change the programme?

No. The signal and its sidebands are shifted in frequency but not otherwise altered, so the modulation carrying the sound is not affected.

Is the superheterodyne still used?

Yes. It is used across broadcasting, mobile and satellite systems, radar and GPS. A variant called zero IF, or direct conversion, mixes signals straight down to baseband.

References

  1. ETHW (IEEE History Center): Superheterodyne Receiver
  2. IEEE Communications Society: Superheterodyne Patents and Applications
  3. University of Ottawa, ELG3175 Lecture 9: Superheterodyne Receiver (PDF)
  4. TV Technology: The Superheterodyne Concept and Reception

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